Thank you for the music
As the date for the launch of the Freeze Frame Poetry Anthology approaches (Friday 21st Dec!), Oscar Sparrow interviews the composer of the original music used on the audio album….
One of the huge number of things about which I know nothing is music. My mother was a singer who could not believe her genes carried the recessive potential for a tone deaf croaking sparrow. After all, she had specifically ordered a nightingale.
Fortunately, I am surrounded by talent. One of the requirements for the music track was that it contained a variety of themes with changes of pace and melody. It is surprisingly difficult to commission original work. I approached Izzy, who composed and played the theme for “I Threw A Stone” and she agreed to give it a try. We had a long session of reading the poems and she took them away to get a feel for the individual poets. Although the music track is a continuous piece in its own right, the mandate was to create moods and reflections complimentary to the audio tracks. Obviously the music speaks for itself but I had a chat with her shortly before its goes live.
You have worked on a couple of projects for us before. How did this job feel?
It was a huge leap of difficulty. I wrote and played the flute track on “Where is God” by Jo VonBargen the fabulous American poet. (You just have to hear her read her work – it’s a thrill it really is, She opened me up to poetry power). I did the same with the piano theme for Oscar’s book but Freeze Frame was something much more complex. I spent a lot of time thinking about the different themes. Because I had access to the audio tracks I could feel my way into the atmosphere of what I wanted to do.
I was out shopping and saw you on a poster as a star flautist at a concert. Which is your preferred instrument?
The piano allows me to compose and I can just play without accompaniment. I get more chances to perform with the flute. The piano is more versatile and has a ready depth that you need for composition.
I have no idea what it feels like to compose music. Can you tell me?
It’s a great feeling to get the idea out of my heart and into my fingers. It doesn’t really feel like an idea in my head – thoughts are more like words somehow. Music is something fluid you tap into. It’s not like thinking at all, its like skating or dancing – it happens inside you and you express it without knowing how or where its going exactly. You need technical information about harmonies and such like but it is a marvellous sense of freedom.
In this case did you have a starting point?
Only the tradition of everything that anyone has ever composed. There’s a lot of music written around individuals, physical themes and other art forms. Any composer feels humbled by it. There are pieces like Mussorgsky’s Pictures At An Exhibition, Elgar’s Enigma Variations, The Planets, the whole book of ballet music and pieces like Gershwin’s Rhapsody in Blue that I saw in Disney’s Fantasia 2000 when I was a very little girl. I think it changed me! I know composers are supposed to be highbrow but my first awareness of music was from Barbie cartoon movies which featured classical ballet. You never feel you can do anything like that but it’s still in me to do what I can. I just have to.
I’ve enjoyed working to a theme and I have an idea beginning along those lines. I can’t really express it yet. I’ve sent the project down into my heart to warm up and get some feeling. It’s like……. waiting for springtime now….
Favourite film and favourite song?
You’re going to laugh at me. My film would be “The Page Turner” which is about a psychotic sadistic pianist. I’m afraid my favourite song is “Sweet Child O’ Mine” by Guns N’ Roses. I know its far older than me but that guitar riff takes me somewhere sublime. I think they’re for old rocker guys. Do you think I’m normal?
I’m actually more worried about the psychotic pianist. Gallo-Romano don’t pay much!
It’s always a pleasure to work with Izzy because she does the work. That’s the way I like it.
So- here it is, the music that will buffer between the poets. It will play in its entirety at the end of the book. As an update I can say that we are on target for the e book with audio launch on 21st December. The “real” paper book will follow in the New Year.
Guys – it’s good.
In case you missed it here is the soundcloud music link.